Strangers, The
"The Strangers" Review
Lock the door and pretend you're safe.

"The film you are about to see is inspired by true events."


You know what that means? It means a few things, actually. First, it means the events you are about to see depicted on celluloid didn't happen at all - at least not as one inclusive story. The film you are about to see may contain an amalgam of factual events, while offering several stylized and completely fictional scenes that the filmmaker has chosen to enhance the story and make those true events even more frightening.

It's a great marketing tool that several classic films have used, such as "The Texas Chainsaw Massacre." While Leatherface didn't go on a killing spree in Texas with his signature chainsaw, real killers such as Ed Gein and Charles Manson inspired his blood-splattered cinematic debut.

This is the case with writer/director Bryan Bertino's feature film, "The Strangers," a truly terrifying film starring Liv Tyler and Scott Speedman. In the vein of John Larroquette's iconic narration of "The Texas Chainsaw Massacre," "The Strangers" opens with a similar, unsettling advisory:

"According to the F.B.I. there are an estimated 1.4 million violent crimes in America each year. On the night of February 11, 2005 Kristen McKay and James Hoyt went to a friend's wedding reception and returned to the Hoyt family's summer home. The brutal events that took place there are still not entirely known."

The film's premise is, in fact, inspired by a ‘true event' from Bryan Bertino's childhood, where a stranger came to his home asking for someone. Later, he found out that empty homes in the neighborhood had been robbed. With that memory in mind, Bertino created his debut screenplay, which also borrows from elements of the Charles Manson murders.

Soon after that disquieting advisory, we are introduced to Kristen McKay (Liv Tyler) and James Hoyt (Scott Speedman), a young couple who have just pulled up to the Hoyt summer home. It's idyllic and isolated, perfect for a romantic getaway. As the opening stated, the couple just spent the evening at a friend's wedding reception, which prompted James to pop the question to his girl right then and there.

The result, however, wasn't as planned. Kristen crushed James's dreams when she confessed marriage wasn't in the cards just yet. You get the idea that the car ride from the reception to the Hoyt summer home wasn't a pleasant one. James is frustrated and Kristen is beautifully broken with tears (and mascara) running down her cheeks as they pull in the driveway.

After coming to an amicable resolution about what to do with the rest of the weekend, Kristen takes a bath while James loosens his tie and drowns his sorrows with ice cream. After she finishes her bath, Kristen joins James in the kitchen where their conversation is interrupted by a knock on the door. It's 4:05 a.m. and they're in the middle of nowhere, who could be on the other side of the door?

James reluctantly answers the door only to find a young blonde teenaged girl who simply asks, "Is Tamara there?" James explains that she must have the wrong house, and that Tamara isn't there. The girl asks, "Are you sure?" and it's at this moment that you know something isn't quite right.

After calming down from the slightly creepy incident that just happened, James runs to the store to get some cigarettes for Kristen, as she can't sleep without them. Kristen is left in a home all alone, and is startled once again by a knock on the door. Kristen doesn't dare open it, but asks, "Who is it?" The reply is, "Is Tamara there?"

The chills start their slalom up and down my spine. It's at this moment where I said to myself, "It's just a movie." I tried to force this realization into my brain, along with the facts about ‘true events' but was unable to resist being fully engrossed by the film's excruciatingly ambient atmosphere.

James eventually returns to the house with cigarettes in hand to find Kristen in a panicked state. She explains to James that someone must be in the house and that strange girl asking for Tamara visited her once more.

Unfortunately for James and Kristen, the knocks at the door and strange noises outside are only the beginning. We soon learn that two other strangers who insist on wearing strange masks join the girl. One, a young woman, is decked out in a "Pinup Girl" mask while the man, complete with suit and tie, is wearing a burlap bag over his head.

The events that follow, while not entirely true, are completely terrifying. I haven't been this truly scared (and satisfied) with a horror movie since I was just a kid, watching movies I wasn't allowed to see late at night on cable.

Though this is his first full-length feature, Bertino masterfully uses atmosphere, and ambient sound to create a tangible sense of fear. The deliberate stillness and silence of the film heightens the thunderous knocks and slamming doors. The pacing builds in conjunction with the suspense, elevating the watcher to a whole new level of horror.

"The Strangers" isn't that original. It feels a lot like John Carpenter's "Halloween" and the aforementioned "Texas Chainsaw Massacre" and most recently "Funny Games." There are a lot of horror clichés peppered throughout the film, like a girl grabbing a butcher knife from the kitchen drawer, but each one is done so well it feels less formulaic and more like an homage.

Despite its inherent inspiration from true events and those old horror classics, "The Strangers" is a masterful exercise in creating fear with nothing more than atmosphere. There are no cheap tricks in this movie, and Bertino goes to great lengths to make you care for the characters and keep you involved with the peril playing out on the screen.

Throughout my viewing experience of "The Strangers," screams and gasps littered the theater like bits of buttered popcorn stuck to the floor. Every bone in my left hand was pulverized to dust as my girlfriend, who isn't so fond of horror movies, proceeded to squeeze my hand without mercy throughout every scene.

I certainly recommend "The Strangers" for anyone in search of a good scare, and especially those horror lovers out there. It's a real horror film, and the scariest thing is that there aren't more of these movies anymore. We're too busy overdosing audiences with buckets of blood and gore and cutting corners around storytelling and suspense.

By Adam Frazier
From BigLickU.com
Reviewed by: adam
11 Comment(s)
Wow... you must be an incredibly super easy scare. I have to disagree completely with you here. Granted, it could have been due to my audience experience, but even still, I disagree with you completely.

Unfortunately, my blog-a-thon is going through til tomorrow (Monday), so my full review for this, even though I saw it Friday, won't be up until Tuesday.
Adam said...
Quite the contrary, I've seen so many horror films that actually nothing scares me when it comes to celluloid scream-fests.

The fact is, the film was such a departure from the majority of horror we've been getting lately that it actually did what it was supposed to do - put the element of fear back into the mix.

I'm still quite compelled how the film managed to fulfill those cliches of horror films while at the same time, breathing new life into them.
Nick said...
huh... I never feared at all while watching... for myself or for the characters (whom I really didn't care for). The 'appearing/disappearing' trick was kinda creepy at first, but after the 75th time, it got kinda old.
Shea said...
dangit... I have been looking forward to this one for awhile. I am glad to see it was good!
Nick said...
Shea: But it wasn't... at all :P
My review is now up and ready! :P
Andy said...
Not good. I didn't really like too much about this movie. Unoriginal and not scary. Even the parts that were kinda scary were weak.
Shea said...
Yeah... very lame.

1) I hated the setup between Liv Tyler and Scott.

2)The classic "the radio in the barn"... what is this th 190s?

3) When the chic smashes the radio jump cut to Liv crawling away from the building... WHAT THE!

4) Ung....trip in the dark in the random ditch.

5) Sack masks and heavy breathing? Havent we seen that before?

6) Did anyone not see Funny Games?

7) The classic cell phone stresses.

8) What was that one masked girl doing in front of the barn...with the flash light? Stupid.

9) Oh... The Christian Living boys? DUMB! "Are you a sinner?"... "Sometimes".

The movie was a forced jumble of cliches.


OK.... what was good about it?

I was actually scared for the first couple of door knocks and "is tabatha homes?"

I loved the scene where Scott is in the driveway yelling at the one masked girl and out of focus in the background we see and hear another run by.

I actually liked Scott Speedman for the most part.

I wish the movie would have been more a test of their survival and how the effects of murder and need to stay alive instead of just anther tied to the chair stabbings.

I was really looking forward to this movie but was really disappointed.

Shea said...
In all defense and respect for Adam...

It sounds like you had an amazing theater experience. Glad you liked it...

This is all coming from the guy who loved the Ruins.

Nick... Feast is sitting on my desk... soon.
Nick said...
ha! So I'm not alone in this. Shea agrees with me on The Strangers sucking! :P Oh, and Andy, too.

And lol! I was JUST thinking about your Feast review. I've been waiting and waiting for it :P . But I know you were out of the country, so I gave you some slack.

But now I'm waiting! I won't be able to sleep until I read your review! ... okay, so I'll sleep. But still!

<.<
>.>
Nick said...
Just for random clarification... I meant that Andy agreed with me, as well... not that Shea agreed with me on Andy sucking.

...not that I think Andy sucks...

...

I'm just gonna shut up now.